Laundry Narratives: Reflections on Design, Laundry Practices and Sustainability

28. Juni 2016, 19:00-20:30 Uhr
Emma Dulcie Rigby, Buckinghamshire New University, UK

Abstract
In this presentation I will discuss the key insights from my practice-led PhD.  Through re-examining laundry as a social practice the research develops a series of design provocations to challenge the organisation of laundry practices, and by extension the frequencies and processes in which laundry is carried out. It highlights that understanding laundry as a social practice opens a space to reconceptualise design, laundry behaviour and sustainability. This provides an alternative lens from which to view and develop design theories and practice for sustainability in fashion.

Biography
Emma is a senior lecturer of fashion design at Buckinghamshire New University.  (...)

26. May 2016 ·

Designing the Social-Material: Idea, Process and Challenge

Seravalli Lecture

Design for Social Innovation, Transformation Design or Transition Design are emerging design practice, research and study. In spite of the differences in the name, philosophy and mode of operation, they share the same ambition of applying design competence to co-create a more sustainable way of living. Thereby they expand the subject matter of design beyond the material to include the social. If traditional design creates new artefacts for particular social context, be it at work, at home, or in school; then these emerging practices are aimed to create alternative ways or conditions of working, living and learning with the support of new material and digital artefacts.

In Wintersemester 2015/16, we intend to look more closely at designing that reconfigures the social as well as the material in transdisciplinary codesign research and practice. (...)

26. October 2015 ·

“Research Practice Dialogue” – Guest Lecture Series

“Research” and “Practice” were arguably the most important words in academic design discourse in the last 20 years. These were spoken often in
the context of developing design research at the University. Currently there are a number of models established: Research Through Design,
Practice-Led/Based Research, Project-Grounded Research, and Constructive Research. They all share the ideas that designing is a form of inquiry
which has its own particular methods that should be capitalized. Secondly, they see that designing should form a (major) part of design research and
should generate trustworthy knowledge to serve and renew practice.

In SS 2015, we intend to look more closely at designing that engages with specialised scientific knowledge or emerging technology in the context of
interdisciplinary research and development. (...)

5. May 2015 ·

What If There Were No Centre of Gravity? – Reflections on Decentralisation and Nonconformism

Of course I can’t write about flowers and beads and birds and trees. And lovers in the park and all of that stuff n dem. But what the use to write about them something dem, when you sit late in the park at night and a man comes and shoots you and take your woman and rape her. What the use to write about flowers, when the pollution will wither it up! You have to write about the reality or the different. You have to write about South Africa and the youths in the ghetto. You have to write about the England. You have to write about all these things.    Mutabaruka, Intro to Check It

Mutabaruka’s statement could stand as an epitome of the work we do at SAVVY Contemporary and my curatorial practice in general. (...)

21. April 2015 ·

In Focus

The main goal of the Muthesius University in Kiel is to promote art, design and spatial strategies via research and development projects as a focal point for work and intellectual debates. As the only art university in the State of Schleswig-Holstein, the Muthesius is not only a place to develop culturally relevant biographies but with its project studies also a place of particular experimentation and realisation.
 To a certain extent, the profile of the Master’s programme represents study courses and development possibilities for students unique in the Federal Republic of Germany.

“At the centre of the Muthesius University’s focus is art and design, the creative and productive. Around this centre there revolves the fundamental relationship between theory and practice. (...)

23. February 2015 ·

Next Generation Scientific Poster

Idea & Creative Direction: Konrad Rappaport
Technical Direction: Chris Engler
Software: Jonas Häutle & Hermann Hartung

Scientific Content: Dr. David Völker
Voice: Louise Dölger
Audio: Fabian Heinitz

Client: Future Ocean Cluster Kiel
a Muthesius Academy of Arts Project // Prof. Tom Duscher
bits and pieces by wirmachenbunt (...)

12. February 2015 ·

Bad News – A Media Fiction

Is it possible that the exclamation of the end of the world is able to provoke the apocalypse?

We are inside an american printery for newspaper in the 1950s now. A freshly printed newspaper comes to the fore. The headline proclaims the end of the world and pushes us straight towards the reports of the financial crisis of nowadays at the same time. The illustration of a comet, which is running down to the earth, intensifies the impression of the approaching end.

The film asks the question which consequences could be caused by information and news.
With regard to the financial crisis, the metaphor is a kind of an exaggerated persiflage: only the message of the apocalypse causes the end of the world – a self-fulfilling prophecy caused by the media! (...)

11. February 2015 ·

The Application Documents

Our applicants are mostly high-school/secondary school graduates (Abitur). However, people who have an extraordinary, artistic talent can also study at the Muthesius without having the necessary certificates – not however Fine Arts for Secondary School Teachers. How do you know that you qualify to study at the Muthesius University? To clear this up from the start, our teaching staff offers Portfolio Consultations. We recommend you take one of these one year in advance of beginning your studies. This allows enough time to gather all your strength for the artistic aptitude examination.

For the Bachelor’s programme

  • Registration for the Bachelor’s Aptitude Examination
  • CV/Resumé in table form with a photograph
  • Abitur certificate or certificates of equivalent institution for design and/or art
  • Additional certificates for previous training courses, including proof of military or civilian social service, etc.
  • Portfolio (max. DIN A1) with at least 20 original works, with the Portfolio Cover Sheet attached to the inside cover

For foreign students with university entrance qualifications (Abitur equivalent), the following is also required:

  • Proof of application via uni-assist
  • Proof of German language ability (DSH 2 or Test-DaF 4×4 or telc Deutsch C1 Hochschule)

Particular application regulations are valid for students of Fine Arts for Secondary School Teachers in cooperation with the Christian-Albrechts-University. Information on this can be obtained from the Student Secretariat of the Muthesius University or the CAU.

For the Master’s programme

  • Registration for the Master’s Aptitude Exam
  • CV/Resumé in table form with photograph
  • Certificates of Bachelr or Diploma studies with a grade of at least 2.5
  • Proof of previous practical activities (if applicable)
  • Letter of motivation
  • Portfolio (as a rule DIN A4, maximum DIN A 3) with documentary evidence of three projects from the Bachelor or Diploma studies, with the Portfolio Cover Sheet attached to the inside cover.

For foreign students with university entrance qualifications (Abitur equivalent), the following is also required:

  • Proof of application via uni-assist
  • Proof of German language ability (DSH 2 or Test-DaF 4×4 or telc Deutsch C1 Hochschule)

Submission of Portfolio including Application Documents

Muthesius Academy, Administration Building, 1st Floor Postal Address: Legienstraße 35, 24103 Kiel From 01 – 15 May and 01 – 15 Novemeber Mon-Fri o9:00 – 12:00 hrs and Mon-Thur 13:30 – 15:00 hrs

For PhD candidates

  • Certificate of university degree
  • Exposé of dissertation intention with 10 copies
  • Formal explanation of exposé
  • Written confimation from a professor with authority to supervise doctoral candidates
  • CV/Resumé in table form
  • List of academic publications, if applicable
  • Declaration of whether a doctoral dissertation has been started elsewhere.

Questions?

From applicants with German certificates

Sophie Palesch,  T. 0431 / 5198-414, studieninfo@muthesius.de

Student Secretariat, Legienstraße 35, Admin Building, 1st Floor
Mon-Thur 10:00 – 12:00 hrs and 13:30 – 15:00 hrs, Fri 10:00 – 12:00 hrs

From applicants with non-German certificates

Maud Zieschang 04 31 – 51 98 - 501, fernweh@muthesius.de

International Office, Legienstraße 35, Admin Building, Room 01.04
Mon + Thur 10:00 – 12:30 hrs, Tue+ Wed 10:00 – 12:30 + 13:30 – 15:00 hrs, or by appointment

About the Master’s programme

Fine Arts M.F.A.

Prof. Piotr Nathan Tel. 0431 – 5198-447, nathan@muthesius.de

Industrial Design M.A. / Interface Design

Prof. Frank Jacob Tel. 0431 – 5198-475, jacob@muthesius.de

Industrial Design M.A. / Medical Design

Prof. Detlef Rhein Tel. 0431 – 5198-430, rhein@muthesius.de

Spatial Strategies M.A.

Prof. Ludwig Fromm Tel. 0431 – 5198-469, ludwig.fromm@rocketmail.com

Communication Design M.A.

Prof.in Silke Juchter Tel. 0431 – 5198-462, juchter@muthesius.de

Fine Arts for Secondary School Teachers M.Ed.

Martina Ide Telefon Tel. 0431 – 880 4638, ide@kunstgeschichte.uni-kiel.de Friederike Rückert Tel. 0431 – 880 1245, rueckert@kunstgeschichte.uni-kiel.de