New release: Ephemer.

new release

 

With contributions from: Barry Bermange, Gabriele Brandstetter, Danica Darkic, Martina Dobbe, Martin Dornberg, Hinderk M. Emmrich, Daniel Fetzner, Yael Kaduri, Annette Le Fort, Angela Melitopoulos, Petra Maria Meyer, Hannelore Paflik-Huber, Jürgen Partenheimer, Felix Schackert, Claus-Arthur Scheier, Michael Schirner, Georg Christoph Tholen, Hagen Verleger, Michael Wetzel, Martin Zenck.

Editor: Petra Maria Meyer
Wilhelm Fink Verlag
ISBN: 978-3-7705-5755-4

Download: Verlags-PDF ansehen Related Links: www.fink.de/view/title/51826

10.08.2020 • , (...)

The annual exhibition “Einblick Ausblick”, Opening on July 15th

The annual exhibition of the Muthesius University of Art also takes place in the Corona year, but its concept is by far the most unusual insight of the art school. This is made possible by ONLINESTREAMING and around 50 locations in the Kiel area, which the student planning team was able to gain as a cooperation partner. They give the students the opportunity to exhibit and present their work from the fields of communication design, fine art, industrial design and spatial strategies. There are stations from Gaarden to Holtenau and around the art college. There is an information station at the university itself.

The students not only want to avoid large crowds of people on campus, (...)

Weitere Meldungen

Just arrived: Sensing the Ocean. A Collaboration between Art, Design and Science

“Sensing the Ocean. A Collaboration between Art, Design and Science.”

Tom Duscher, Stephan Sachs, Manfred Schulz (Editors)

“Sensing the Ocean” is based on the collaboration between the Kiel Marine Research Cluster of Excellence The Future Ocean and the Muthesius University of Fine Arts and Design. The book shows how artists, designers and scientists can complement each other creatively, what differentiates artistic and scientific research, and illustrates how the interplay of competence gives rise to new insights.

(…)

Muthesius University of Fine Arts and Design, Kiel, at the Leipzig Book Fair!

For many years, the Muthesius University of Fine Arts and Design has been presenting its book and print art to the international audience at the Leipzig Book Fair. This year it will again be represented in the book & art segment (hall 3, booth G 301). Here, the Art Academy Kiel presents outstandingly designed printed works and special typographic book designs from the field of study »typography and book design« (Prof. Annette le Fort and Prof. André Heers). Every year the University’s booth is designed by students for the Book Fair.

(…)

Laundry Narratives: Reflections on Design, Laundry Practices and Sustainability

28. Juni 2016, 19:00-20:30 Uhr
Emma Dulcie Rigby, Buckinghamshire New University, UK

Abstract
In this presentation I will discuss the key insights from my practice-led PhD.  Through re-examining laundry as a social practice the research develops a series of design provocations to challenge the organisation of laundry practices, and by extension the frequencies and processes in which laundry is carried out. It highlights that understanding laundry as a social practice opens a space to reconceptualise design, laundry behaviour and sustainability. This provides an alternative lens from which to view and develop design theories and practice for sustainability in fashion.

(…)

Aktuelle Arbeiten

Constructive Design

Seen historically, industrial design is a relatively young term. However, products have not only been produced in series since the Industrial Revolution. In the course of industrialisation, design defined itself as a service of economics and society and was wrongly reduced to an instrument of wealth creation. However, product design is largely independent of economic interests, moreover it can be seen under artistic and creative, but also social and eceonomic aspects. With the change from an industrial to an information society, industrial design finds itself in a radical change. The general theses of good form have become old, the professional image of an industrial designer is emancipating itself from industry and mass production, and the boundaries between art and design are more open than ever. The globalisation of information and aesthetics via new media but also the shift of production sites to low-income countries is forcing designers – above and beyond the pure design of a product – to think in complex contexts and to act not only as a problem-solver but also to create identity independently. Irrespective of the continuous discussion between mass-produced and unique piece, between functionalism and formalism, design is continuously and inseparably linked to human history. However, for the first time since the industrial age, design is about to move away from the doctrine of the purely facutal and not place itself at the service of all and sundry.  .  . A point of contact between Art and Design.